River Runs

Chuck Owen – Best Instrumental Composition (Bound Away)
Chuck Owen – Best Instrumental Arrangement (Side Hikes – A Ridge Away)
Featuring:
Jack Wilkins, tenor saxophone
LaRue Nickelson, guitar
with special contributions from:
Rob Thomas, Violin
Corey Christiansen, Guitars
Mark Neuenschwander, Bass
Danny Gottlieb, Drums

Record Tracklist

  1. Prologue – Dawn at River’s Edge

    Study Score 

    -:-- / 1:54
  2. Mvmt. I – Bound Away

    Study Score 

    -:-- / 17:53
  3. Mvmt. II – Dark Waters, Slow Waters

    Study Score 

    -:-- / 12:37
  4. Mvmt. III – Chutes and Wave Trains

    Study Score 

    -:-- / 11:29
  5. Mvmt. IV – Side Hikes – A Ridge Away

    Study Score 

    -:-- / 7:56
  6. Mvmt. V – Perhaps the Better Claim

    Study Score 

    -:-- / 11:42

1

Jazz Surge

Saxes:
Tami Damielsson
Valerie Gillespie
John Orsini
Rex Wertz
Matt Vance

Trumpets:
Chad Shoopman
Brian O’Flaherty
Jay Coble
Mike Iapichino
Trombones:
Keith Oshiro
Tom Brantley
Luis Alvarez
Jim Hall
Rhythm Section:
Per Danielsson – Piano
Corey Christiansen – Guitars
Mark Neuenschwander – Bass
Danny Gottlieb – Drums

Orchestra

Flutes: Clay Ellerbroek, Daphne Soellner
Oboe/Eng. Horn: Jeffrey Stephenson
Bassoon: Maurizio Venturini
French Horns: Robert Rearden, Carolyn Wahl, Andrew Karr4
Percussion: Dave Coash, Kurt Grissom
Harp: Mary-Kate Mackle
Violins: Lei Liu (Concertmaster), Nancy Chang, Valerie Adams, Ginny Respess, Milene Moreira, Sarah Shellman, Lucas Guideri, Mary Corbett, Eric Nordstrom, Cynthia Gregg, David Dillingham
Violas: Ben Markwell, Kathy Aagaard, Ken Kwo, Alison Heydt, Karen Dumke
Cellos: Lowell Adams, Laura Smith, Chris Pegis, Ron Gardiner
Basses: Dee Moses, Bleda Elibal, Brandon McLean


Produced by:  Chuck Owen
Co-Produced by: Tom Morris
Recorded November & December, 2011 at Morrisound Studios, Tampa, FL.
Mixed, & Mastered at Morrisound Studios, Tampa, FL
Audio Engineer: Tom Morris
Engineer Assistants:  Jason Blackerby, Michelle Holtkamp, Dave Kaminsky, Jon Tucker
All Booklet Photos: Chuck Owen
Design by: Daniel Traynor